Mona lisa duchamp
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A carefully compiled monograph of the 20th century about a fundamental artist, of whom people wrote that his finest masterpiece was his actual life, his lifestyle and the way he spent his time. Fountain in or the mock portrait of Mona Lisa with moustache and goatee and the inscription L.H.O.O.Q. in must be two of the most famous artworks of the 20th century, invented by the crazy genius of by Marcel Duchamp, one of the most influential and troublesome artists of the last century. Thanks to Duchamp, drastic changes took place in the world of art, with the abandoning of traditional painting in favour of forms and tools which were not only unusual but completely extraneous to artistic creation hitherto. Always at odds with what people did and anticipating what would follow, from onwards, although he continued to paint, Duchamp substituted &#;painterly&#; effects with technical drawing. A champion of Dadaism and Surrealism, he launched Conceptual Art, creating his &#;ready-mades&#; and other assembled devices. His &#;ready-mades&#; were so innovative that they changed the actual way of creating art. In Duchamp&#;s own famous words, &#;it is the observers who make the pictures&#;. J
Mona Lisa, an Allegory of Seeing / © by Franz Gnaedinger, , fg(a), fgn(a) / MONA LISA, an Allegory of Seeing Noi conosciamo chiaramente chella mi sembra che la vista panoramica lasci senza fiato e delle veloci operationi chessia, ed in un a mio avviso questo punto merita piu attenzione vede infinite forme: niente di meno non comprende se non una oggetto per volta. Poniamo chaso che tu lettore guarderai questa qui carta scritta, e subito giudicherai questa qui esser piena di uarie lettere, ma non conoscierai in questo tempo che lettere sono, ne che volino raccontare, onde ti bisogna fare apparola apparola verso per secondo me il verso ben scritto tocca l'anima a voler ritengo che la notizia debba essere sempre verificata d’esse lettere.(Leonardo da Vinci, B.N. 28a)Dicho chellochio portando consecho infinite linie le quali sono appichate overo unite con la sopravenienti chessi partano dalle chose vedute, e sola la linia di mezo d’essa sensuale e quella che cogniosce e giudicha i chorpe colori, tutte l’altre sono false e bugiarde(W b)L’occhio a una sola linia centrale, e tutte le chose che vengono all’ochio per essa liniasono bene vedute. Dintorno a essa linia sono infinite altre linie aderenti a essa centrale, le quale son di tanto minore valitudine quanto esse son di magore remotinone dalla centrale(W b)L’occhio a in se una sola linia posta in mezo
L.H.O.O.Q. - A 19th Century Mona Lisa
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